The 1970s saw a gradual breakdown in the postwar social system in the UK. The economy contracted, inflation rose while incomes fell and unions took increasingly dramatic steps to demand more money for their members to compensate.
Rubbish piling up in the streets, the dead unburied- these are the stuff of apocalyptic visions. And it was the apocalypse that preoccupied children’s television for the following ten years. But these weren’t the apocalypses of Hollywood, centered on exploding landmarks and CGI special effects.
These were domestic apocalypses. Drawing on a series of children’s books, portraying not the end of the world so much as the end of the child protagonist’s world, UK children’s TV showed us families, and the societies they lived in, destroyed.
The root of the terror for children didn’t come in the loss of the radios and televisions. It came from the fact that the adults had all stopped caring whether their children were happy or not.
Violence, madness, death. These were the consequences of adult society pursuing its own priorities without caring what the effects of those choices were on their children. If you want horror, try imagining you are entirely dependent on a group of people and then make those people insane. Stephen Kings Misery was built on the same insight. But even then he made his victim fully grown.
Destroy society and you can expect the smallest and weakest members of society to suffer. The children’s TV watching audiences of the 70s and 80s wasn’t going to miss that message, delivered in 30 minute chunks after Blue Peter.